This clever depiction of hell explores the lies that people tell, both to others and to themselves. Mike Stone dies and wakes up in a flawed simulacrum of Brooklyn within the afterlife, created from his patchy memories. He passes eternity by acting as a private investigator for other people who are aware of being dead, finding out how they died or answering questions they still had from when they were alive. Stone moves among the hells created by stronger personalities, such as warlord Al Zaoud and the White Devil of Wallachia, and lesser ones, searching for answers for his clients, as well as for himself. Although the constant repetition of details occasionally grates, it doesn’t detract from the strength of the premise or the power of the story’s resolution. Zeltserman (Husk) has developed a rich world with a complex protagonist, and the stated stagnation of hellish eternity doesn’t stop his story from moving briskly along.
Saturday, August 10, 2019
PW on Everybody Lies In Hell
Publishers Weekly weighs in on my upcoming (Oct. 1st) EVERYBODY LIES IN HELL:
This clever depiction of hell explores the lies that people tell, both to others and to themselves. Mike Stone dies and wakes up in a flawed simulacrum of Brooklyn within the afterlife, created from his patchy memories. He passes eternity by acting as a private investigator for other people who are aware of being dead, finding out how they died or answering questions they still had from when they were alive. Stone moves among the hells created by stronger personalities, such as warlord Al Zaoud and the White Devil of Wallachia, and lesser ones, searching for answers for his clients, as well as for himself. Although the constant repetition of details occasionally grates, it doesn’t detract from the strength of the premise or the power of the story’s resolution. Zeltserman (Husk) has developed a rich world with a complex protagonist, and the stated stagnation of hellish eternity doesn’t stop his story from moving briskly along.
This clever depiction of hell explores the lies that people tell, both to others and to themselves. Mike Stone dies and wakes up in a flawed simulacrum of Brooklyn within the afterlife, created from his patchy memories. He passes eternity by acting as a private investigator for other people who are aware of being dead, finding out how they died or answering questions they still had from when they were alive. Stone moves among the hells created by stronger personalities, such as warlord Al Zaoud and the White Devil of Wallachia, and lesser ones, searching for answers for his clients, as well as for himself. Although the constant repetition of details occasionally grates, it doesn’t detract from the strength of the premise or the power of the story’s resolution. Zeltserman (Husk) has developed a rich world with a complex protagonist, and the stated stagnation of hellish eternity doesn’t stop his story from moving briskly along.
Labels:
crime,
Dave Zelterman,
horror,
noir,
private eye
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