Wednesday, May 27, 2009
Where I talk about Pariah, Publishing, and the New England Patriots
Corey Wilde over at his Drowning Machine blog and Rafe McGregor at his author's blog, both interview me on a wide range of subjects ranging from my latest book, Pariah, to the state of publishing, and even about America's team (the New England Patriots). I'd like to thank both Corey and Rafe for taking the time to do this, and you can read Corey's interview here, and Rafe's here.
Monday, May 18, 2009
Pariah over at Drowning Machine

Pariah is 4 1/2 months away from it's US release, but Corey Wilde offers his review over at his excellent Drowning Machine blog:
This book just sucked the air right out of me. It's more than great noir. This book's got teeth that bite and claws that catch, and it's a masterpiece. If you're looking for a hero or even an anti-hero, you won't find one here. Kyle Nevin is pure, unwavering psychopath, and the most finely drawn such creature since Charles Willeford put Junior Frenger on paper. If Jim Thompson's Lou Ford and James Cagney's Cody Jarrett (White Heat, 1949) are watching somewhere from the halls of twisted fiction, they are pouring out their warped blessings on Kyle Nevin.
You can read the entire review here.
Sunday, May 17, 2009
wow
This is clearly not a good time to be writing crime fiction. Or at least be trying to sell it. I'm looking at Publisher Marketplace's weekly summary, and here's how last week's sales broke down:
mystery/crime -- 1 sale announcement (Nevada Barr's next 3 books)
thriller -- 1 announcement (4 new books from the late Robert Ludlom's estate)
romance -- 16 announcements
mystery/crime -- 1 sale announcement (Nevada Barr's next 3 books)
thriller -- 1 announcement (4 new books from the late Robert Ludlom's estate)
romance -- 16 announcements
Thursday, May 14, 2009
If only Ben had been reading Small Crimes...
The power of Lost. In last night's season finale (and what a mindblower it was!), they had Jacob reading the great Flannery O'Connor's "Everything That Rises Must Converge", and now the book's #89 on Amazon.
Small Crimes would be a good book for Ben. The failed redemption, the narcissism and bad deeds of the central character. One can dream.
Small Crimes would be a good book for Ben. The failed redemption, the narcissism and bad deeds of the central character. One can dream.
Tuesday, May 12, 2009
Small Crimes in Italy
I just got the good news from my publisher that the Italian rights to Small Crimes are being sold to Fanucci. They've got a great crime list, and I'm very excited to be joining them.
Thursday, May 7, 2009
Pariah over at Independent Crime
Although Pariah won't be hitting the US for 5 months (other than through copies now being leaked by amazon), Nathan Cain offers a review over at his Independent Crime blog.
Zeltserman has succeeded in bringing a blithely psychopatic character to the page who will chill the blood.
Despite the utter moral bankruptcy of the main character, Pariah is gripping as opposed to repugnant. Zeltserman's writing and plotting are sharp and the plot is immaculately crafted. The only other author writing about such venal characters with such an incisive eye is Jason Starr, and some of Starr's characters are downright cuddly when compared to Zeltserman's. Pariah is a scathing rebuke of society's obsession with fame, and mythologizing of gangsters and the repugnant moral calculus that allows them to victimize innocent people with impunity
You can read the entire review here.
Zeltserman has succeeded in bringing a blithely psychopatic character to the page who will chill the blood.
Despite the utter moral bankruptcy of the main character, Pariah is gripping as opposed to repugnant. Zeltserman's writing and plotting are sharp and the plot is immaculately crafted. The only other author writing about such venal characters with such an incisive eye is Jason Starr, and some of Starr's characters are downright cuddly when compared to Zeltserman's. Pariah is a scathing rebuke of society's obsession with fame, and mythologizing of gangsters and the repugnant moral calculus that allows them to victimize innocent people with impunity
You can read the entire review here.
Tuesday, April 28, 2009
Bad Karma
Thursday, April 23, 2009
Book scorecard
All of a sudden I've got a bunch of books coming out--6 in total over the next 2 years, and with some luck maybe a couple more (although those would have to be with pseudonyms). Here's a quick rundown:
Pariah (Oct. 09, Serpent's Tail)--This is the second of my loosely themed "man out of prison" crime noir novels, and probably the one I'm most excited about. It's definitely the most explosive book I've written, as well as the most subversive.
Bad Karma (Oct. 09, Five Star)--Sequel to Bad Thoughts, although instead of being the grim and weird mix of horror and crime that Bad Thoughts was, this one is a hardboiled PI set in Boulder, Colorado, with some quirky new age aspects to it.
Killer (Jan. 10 (UK), Serpent's Tail)--The third of my "man out of prison" crime noir novels. Existential noir.
28 Minutes (July 10 (UK), Serpent's Tail)--My bank heist thriller that's been optioned to Impact Pictures and Constantin Film Development. The US publisher for this one is still being worked out.
Caretaker of Lorne Field (Overlook Press)--This one's an allegorical novel, written as a mix of noir, sci-fi, and horror. A caretaker believes if he doesn't weed a field every day the world will end. Either he's insane or he knows something no one else does.
Essence (Overlook Press)--Gritty crime noir with supernatural elements. The book is placed in Brooklyn and Manhattan, with the time frame for most of the book centered around the 2004 ALCS Red Sox--Yankees playoffs, with the Yankees choke job (the worst in the history of professional sports??) seen through the eyes of a Yankees fan.
Pariah (Oct. 09, Serpent's Tail)--This is the second of my loosely themed "man out of prison" crime noir novels, and probably the one I'm most excited about. It's definitely the most explosive book I've written, as well as the most subversive.
Bad Karma (Oct. 09, Five Star)--Sequel to Bad Thoughts, although instead of being the grim and weird mix of horror and crime that Bad Thoughts was, this one is a hardboiled PI set in Boulder, Colorado, with some quirky new age aspects to it.
Killer (Jan. 10 (UK), Serpent's Tail)--The third of my "man out of prison" crime noir novels. Existential noir.
28 Minutes (July 10 (UK), Serpent's Tail)--My bank heist thriller that's been optioned to Impact Pictures and Constantin Film Development. The US publisher for this one is still being worked out.
Caretaker of Lorne Field (Overlook Press)--This one's an allegorical novel, written as a mix of noir, sci-fi, and horror. A caretaker believes if he doesn't weed a field every day the world will end. Either he's insane or he knows something no one else does.
Essence (Overlook Press)--Gritty crime noir with supernatural elements. The book is placed in Brooklyn and Manhattan, with the time frame for most of the book centered around the 2004 ALCS Red Sox--Yankees playoffs, with the Yankees choke job (the worst in the history of professional sports??) seen through the eyes of a Yankees fan.
Monday, April 20, 2009
Twitter: a fad, a colossal waste of time, or something else?
The Boston Globe today has an interesting article on the value of Twitter. Here are a few less than enthusiastic opinions that were offered in the article:
"I hate to be curmudgeonly," said Tom Davenport, who holds the President's Chair in Information Technology and Management at Babson College, "but Twitter reminds me of the CB radio fad. Twitter fans are the same people who last year were excited by Second Life. And where has that gone?"
On his blog on the Harvard Business Publishing website, Davenport wrote, "Let's face it - Twitter is a fad."
"First, as a professor there's a certain 'Decline of the West' aspect to the Twitter idea that you can say anything meaningful in 140 characters," he explained.
"But Twitter has more problems than that: First, it's not very measurable; second, I don't think it's possible to do brand management in 140 characters; and third, as soon as companies start using Twitter in an aggressive way, it could take on the clutter of e-mail."
And from Tom Simons, chief executive and creative officer at Boston-based marketing communications firm Partners+Simons:
"We pay a lot of attention to Twitter since it can be a very active market sensing tool," he said. "What's more, it's ushering in a new level of customer responsiveness because of the real time aspect of its feedback loop."
But does Simons tweet?
"I've done a lot of poking around within Twitter, and we have a company Twitter feed," he said, "but it is clear to me that in many respects Twitter is a very powerful magnet for valuable time that can be better spent elsewhere."
--------------------------------------------
Like a lot of authors today, I'm trying to decide whether it makes sense to fall into this potential time sucking rat hole, and my gut's telling me this is a fad that will eventually pass. I'm sure in the very near future the twitter community will, like all fads, embrace a "twitterized" novel or two (or three), and the publishing world will then jump on it and buy it for a ridiculous amount, which will leave all the rest of kicking ourselves for not jumping on the Twitter bandwagon, but I just don't see how this can sustain itself, and as much as younger cell phone users might enjoying texting, at some point they'll find themselves swamped with "tweets", and start regarding these as little more than email spam. At least that's my gut.
Anyway, for the time being I don't see the point for writers to jump on this, especially given that we typically spend 6+ months holed up writing our novels, so how many interesting "tweets" can we possibly send out there?
I do think, though, it would be an interesting experiment for one of the crime fiction webzines (Thuglit, for example), to try twittering their short fiction, and see what happens.
"I hate to be curmudgeonly," said Tom Davenport, who holds the President's Chair in Information Technology and Management at Babson College, "but Twitter reminds me of the CB radio fad. Twitter fans are the same people who last year were excited by Second Life. And where has that gone?"
On his blog on the Harvard Business Publishing website, Davenport wrote, "Let's face it - Twitter is a fad."
"First, as a professor there's a certain 'Decline of the West' aspect to the Twitter idea that you can say anything meaningful in 140 characters," he explained.
"But Twitter has more problems than that: First, it's not very measurable; second, I don't think it's possible to do brand management in 140 characters; and third, as soon as companies start using Twitter in an aggressive way, it could take on the clutter of e-mail."
And from Tom Simons, chief executive and creative officer at Boston-based marketing communications firm Partners+Simons:
"We pay a lot of attention to Twitter since it can be a very active market sensing tool," he said. "What's more, it's ushering in a new level of customer responsiveness because of the real time aspect of its feedback loop."
But does Simons tweet?
"I've done a lot of poking around within Twitter, and we have a company Twitter feed," he said, "but it is clear to me that in many respects Twitter is a very powerful magnet for valuable time that can be better spent elsewhere."
--------------------------------------------
Like a lot of authors today, I'm trying to decide whether it makes sense to fall into this potential time sucking rat hole, and my gut's telling me this is a fad that will eventually pass. I'm sure in the very near future the twitter community will, like all fads, embrace a "twitterized" novel or two (or three), and the publishing world will then jump on it and buy it for a ridiculous amount, which will leave all the rest of kicking ourselves for not jumping on the Twitter bandwagon, but I just don't see how this can sustain itself, and as much as younger cell phone users might enjoying texting, at some point they'll find themselves swamped with "tweets", and start regarding these as little more than email spam. At least that's my gut.
Anyway, for the time being I don't see the point for writers to jump on this, especially given that we typically spend 6+ months holed up writing our novels, so how many interesting "tweets" can we possibly send out there?
I do think, though, it would be an interesting experiment for one of the crime fiction webzines (Thuglit, for example), to try twittering their short fiction, and see what happens.
Tuesday, April 14, 2009
A recent Web-review
Kevin Tipple, who has previously reviewed both Fast Lane and Bad Thoughts, has probably as good a perspective on my writing as anyone out there, has recently recently written what I consider yet another very perceptive review, this time on Small Crimes.
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