There's no question we had a gold rush period with ebooks where the market was immature and both indie/self-published and mid-list authors could do well by advertising in the right places and taking advantage of certain Amazon features. As people should've expected things have changed as the market has matured. What used to work no longer does, and sales are down across the board with both professional and self-published writers I talk to. So in this ever-changing climate, what can authors do now to sell ebooks?
From my own experience, observations, as well as conversations with a number of other authors (and with a focus geared towards amazon), here's what I've seen in the area of mysteries, crime, noir, horror and thrillers (I can't comment about other genres, although my gut is fantasy & sci-fi ebooks are following along these same lines, and romance is a completely separate beast):
Advertising: Early on in the ebook era, advertising in the right places, like Kindle Nation, Pixel of Ink, and EReaderNewsToday could generate a flood of ebook sales, but their effectiveness over time has worn off. Right now Bookbub probably generates the highest number of sales, but their ads are expensive. Last year and early this year, you had a good chance of making money with a Bookbub ad, but now most authors I know who've used them over the last 6 months haven't broken even, and with the changes in Amazon's algorithms, these ads have become a losing proposition.
Free promotions: For a short time after amazon started their KDP Select program, they rigged their algorithms so that authors could generate a huge number of sales by giving away free books. After about four months of this, amazon changed their algorithms to make this less effective, and have since made further changes, both with their affiliate program and with their algorithms to make these free giveaways virtually useless. Originally they needed the free giveaways to help push kindle sales, but once they dominated the ebook reader market they needed to stop these free giveaways to keep ebook prices from moving to $0, and in effect, they've removed any value from authors now doing this. As far as free giveaways leading to future book sales by winning over new readers, forget it. Stephen Colbert recently joked on Colbert Nation how the kindle is a great device for storing 1000s of books that he'll never read, and kindle readers grabbing free ebooks are mostly hoarding 1000s of ebooks that they'll never look at.
Online book reviews: Web reviews seldom sell more than a couple of books--print or ebook the same.
Newspaper reviews: I've never been reviewed by the NY Times, so I can't comment on their effectiveness, but I have been reviewed very positively in the Washington Post, Boston Globe, LA Times, Orlando Sentinel, Newsdays, as well as others, both here and in the UK, Italy, Germany and France, and even rave reviews seldom sell more than a few hundred print books, and very few ebooks. The one place where I've been reviewed that does sell a lot of books is NPR.
While newspaper reviews might not sell a lot of books, one thing that they're very effective at is getting Hollywood to notice you.
Web short stories: I've never seen anything more than a small uptick in ebook sales from this.
Magazine & anthology short stories: I've gotten relatively small upticks in my Julius Katz ebook sales whenever Ellery Queen publishes a new Julius Katz story, but never more than 50 sales. I've gotten smaller upticks when I appear in print anthologies.
Social media: Social media might've worked early on in selling ebooks, but with 10s of thousands of authors doing it, it has long ago reached a saturation point and has no effectiveness anymore in selling ebooks, although it can still have a positive value in making more readers aware of you.
Killer cover: There was a time when a certain author was proselytizing that all self-published authors needed to be successful was a good cover and a good book description. Like any other snake oil, this sounded too good to be true, didn't it? Well, I doubt this was ever true--I think there were other factors on how Amazon could be gamed that contributed to early success of some self-published/indie writers, but to set the record straight, while an unprofessional cover might hurt you, a killer cover isn't going to sell anything.
Membership in a group to jointly market ebooks: I started Top Suspense with Ed Gorman and Harry Shannon because we thought that if we provided readers with a safe place to find high quality mysteries, thrillers, horror ebooks readers would gravitate to us. So how has that worked out? I think it has helped somewhat, but not as much as I expected. Where the greatest value with this group has been is to be part of a group of fellow pro writers for sharing information and ideas. From what I can tell, other groups that formed after Top Suspense have also had limited success.
Amazon: Bingo! Other than being a bestselling author, having Amazon promote you is the only clear way to sell ebooks now. Amazon has proven to be incredibly powerful in pushing ebooks--originally with ebooks that were triggered by their algorithms, and now the books that they're publishing and choosing to get behind. They've proven over and over again that they can sell 10s of thousands of copies through their direct marketing and recommendations.
Given all this, and given how unlikely it's going to be moving forward for a self-published/indie author to get Amazon behind them, it seems most likely that the vast majority of self-published/indie ebooks are never going to recoup their production costs (covers, proofing, formatting, etc.). So what should new authors and midlist authors do moving forward?
Face facts. The gold rush period is long over. More and more ebook sales are going to either writers Amazon's promoting or to bestsellers. If you're a midlist author, try to stick with traditional publishing, and if you bring back your backlist as ebooks, try to either contain costs, or go with someone like Crossroad Press who is able to make deals with B&N to feature their books. If you're a newer writer who is serious about having a writing career, keep working toward being published traditionally. It's your best chance of gaining real readers and establishing a career.
Tuesday, October 29, 2013
Tuesday, October 15, 2013
Saturday, October 5, 2013
MIND PRISON available now
I've made my short story, MIND PRISON, which was originally published in Crime Factory First Shift, available as a $0.99 kindle ebook.
As a teenager I read a lot of science fiction, with Isaac Asimov, Ray Bradbury, Harlan Ellison, and Robert Silverberg being my favorite writers. For some reason I'm not quite sure of I've never written much science fiction unless you consider my Julius Katz works science fiction also, which I guess is possible. Before MIND PRISON, the only science fiction story I wrote was ALMOST HUMAN, which like MIND PRISON, is also a heavy mix of noir and science fiction. While I can't guarantee MIND PRISON will surprise you, I'm pretty sure it will
Praise for MIND PRISON:
"MIND PRISON is a dandy tale of hubris and horror that both Philip K. Dick and O. Henry would heartily endorse." Lee Goldberg, author of THE HEIST and THE WALK
"MIND PRISON is a mix of science fiction and noir as diverting as it is surprising." Max Allan Collins, author of ROAD TO PERDITION
"A taut, dark, searing science fiction story filled with noir atmospherics--greed, sexual betrayal, murder--that evokes the best of Philip K. Dick's grim near future." Ed Gorman, author of CAGE OF NIGHT and FLASHPOINT
"MIND PRISON features a novel and Orwellian solution to the problem of overcrowding in American prisons." Publishers Weekly
As a teenager I read a lot of science fiction, with Isaac Asimov, Ray Bradbury, Harlan Ellison, and Robert Silverberg being my favorite writers. For some reason I'm not quite sure of I've never written much science fiction unless you consider my Julius Katz works science fiction also, which I guess is possible. Before MIND PRISON, the only science fiction story I wrote was ALMOST HUMAN, which like MIND PRISON, is also a heavy mix of noir and science fiction. While I can't guarantee MIND PRISON will surprise you, I'm pretty sure it will
Praise for MIND PRISON:
"MIND PRISON is a dandy tale of hubris and horror that both Philip K. Dick and O. Henry would heartily endorse." Lee Goldberg, author of THE HEIST and THE WALK
"MIND PRISON is a mix of science fiction and noir as diverting as it is surprising." Max Allan Collins, author of ROAD TO PERDITION
"A taut, dark, searing science fiction story filled with noir atmospherics--greed, sexual betrayal, murder--that evokes the best of Philip K. Dick's grim near future." Ed Gorman, author of CAGE OF NIGHT and FLASHPOINT
"MIND PRISON features a novel and Orwellian solution to the problem of overcrowding in American prisons." Publishers Weekly
Labels:
crime,
noir,
prison,
science fiction,
Zeltserman
Wednesday, October 2, 2013
Monday, September 30, 2013
Julius Katz gets a facelift!
I decided it was time to give my Julius Katz ebooks new covers. Archie (bless him!) used one of the outdoor webcams to send me a photo of Julius's Beacon Hill townhouse which I used in each of the new covers. What do folks thinks?
These kindle books in the Julius Katz detective series can be purchased here.
These kindle books in the Julius Katz detective series can be purchased here.
Labels:
award-winning,
detective,
humor,
Julius Katz,
Shamus,
sleuth,
Zeltserman
Saturday, August 31, 2013
Why I wrote MONSTER
Sometimes an idea will pop into your head that just won't leave you
alone. That's what happened to me when I had the idea of writing a
retelling of Mary Shelley's Frankenstein where everything a dying Victor
Frankenstein told Captain Walton aboard the icebound ship was a lie to
protect his reputation, and the monster now gets to tell the real story.
A year later this idea continued to nag at me, and after another year of reading about thirty books for research this idea had turned into a
story that I wanted to write. In my version, Victor Frankenstein would
be in league with the Marquis de Sade to bring hell to earth, and the
monster remain a tragic, albeit heroic, figure. Thematically
the book would be about the corrosive quality of vengeance, as well as a
repudiation of de Sade's central theme of man being little more than a base animal.
While I knew there were many readers who consider Shelley's great novel
a sacred tome and would look at any retelling as blasphemy, at this
point this was a novel that was burning too deeply inside and was one I
had to write.
Saturday, August 24, 2013
You want to listen to some Pariah?
Amazon
has added a cool new feature where they've tied audio samples onto
their book pages. So if you want to listen to a Pariah sample, click the listen button under the book cover.
And you can do the same with Small Crimes
And you can do the same with Small Crimes
Monday, August 19, 2013
Monday, August 12, 2013
Three very different types of horror
"Superb mix of humor and horror" Publisher's Weekly, starred review
"a very darkly funny dark fantasy" Locus Magazine
The Caretaker of Lorne Field was a Black Quill nominee for best book of the year, and was shortlisted by the American Library Association for best horror novel of the year and later selected by them as one of four modern horror novels that librarians should be recommending. The Caretaker of Lorne Field is quiet horror. The current caretaker believes in his heart that he's saving the world each day by weeding a field of monsters. Others in his town think he's nuts. Is this a story of monumental sacrifice or growing madness?
There was no movement among the Aukowies. When they were that small they played possum and tried to act as if they were nothing but weeds. Most people looking at them would think they were nothing but an odd little weed. But Jack Durkin knew differently. If he squinted right, he could make out their evil little faces in their offshoots, and he knew those little pincers were more than thorns. He’d watch them wait until there was a wind, then pretend they were swaying in it, all the while really trying to wiggle themselves further out of the ground. They were clever little suckers, Jack Durkin had to give them that. Once they got to two feet in height, they wouldn’t bother with their act. At that size they’d be whipping about as if they were caught in hurricane gales, not giving a damn about keeping up their masquerade. Jack Durkin never let one grow that high, but he’d heard stories from his pa about it. According to his pa it took hours to subdue several of them that had gotten to that height, having to first throw boulders on top of them to pin them down.
According to the book of Aukowies eight days would be all one needed to mature and break free from the ground. One mature Aukowie would wreak havoc, a field of them would ravage the world in a matter of weeks.
"You don't get much more gothic bang for your buck." Los Angeles Times
“You are lying on hallowed grounds, daemon!” he swore at me, his eyes wide as they reflected a mix of fear and self-righteousness. “Do not blasphemy this area any further with your presence. Begone!”
“And what makes you so certain that I am a daemon?” I asked.
“Your hideousness marks you as such!”
My hood had fallen off my head during my sleep exposing the full grotesqueness of my appearance. But I was not about to be chased away by this man.
“You do not know the goodness in my heart,” I said. “Now leave me so that I may grieve alone.”
He spotted the flowers then that I had placed by Johanna’s grave, and his eyes took on a wicked look as his chest swelled with piety and a false bravery.
“One can only wonder at the evil nature of the witch that has been buried in this grave to attract a daemonic creature such as yourself. She will need to be dug up from these sacred grounds and her body burned. Now begone!”
He moved forward as if to stick me with his pitchfork. I grabbed it from him with the same quickness that I had displayed during my battle with the wolves. I rose to my full height so that I towered above him and only then did I snap the pitchfork in half and toss the pieces to the ground. The priest stood in front of me trembling, fear striking him so greatly that he couldn’t speak or move.
Vanessa was taking a pint from one of the livestock. She nodded at Metcalf as he approached, he nodded back. She had been a prostitute before he infected her. Originally he had picked her up to be a replacement for one of the dead livestock, but he liked the way she looked—long red hair that fell halfway down her back, sultry lips, almond-shaped green eyes and a thin waist with near perfect legs. Her breasts were smaller than what he typically liked—no bigger than what would fit in a champagne glass, but they had a perky quality to them so he decided to overlook that flaw, and besides, the infection would shrink them anyway. The infection had since bleached out her hair and had shrunk her tits to the size of small apples, but she dyed her hair the same reddish color as before and even with the changes to her body that the infection caused, he still liked the way she looked. There was something else about her that he found himself instantly attracted to. It took him a while to figure out what it was, but he eventually understood it. In her own way she was as ruthless as he was, even reminding him a bit of Serena, although she wasn’t nearly as cunning or as crazy. Since the other vampires were complaining about how overworked they were—and because of his immediate attraction to her—he infected her and added her to the staff. He was glad he did. Unlike the others, she accepted her situation and never showed any self-pity. As far as her competency, well, she never really developed a touch for drawing blood and was rough with the livestock, but it didn’t much matter. She’d get a pint out of them regardless of how many times she had to poke them searching for a vein. And it was not as if any of them were going to complain. All in all, Metcalf was glad he chose to infect her instead of making her one of the livestock.
"a very darkly funny dark fantasy" Locus Magazine
The Caretaker of Lorne Field was a Black Quill nominee for best book of the year, and was shortlisted by the American Library Association for best horror novel of the year and later selected by them as one of four modern horror novels that librarians should be recommending. The Caretaker of Lorne Field is quiet horror. The current caretaker believes in his heart that he's saving the world each day by weeding a field of monsters. Others in his town think he's nuts. Is this a story of monumental sacrifice or growing madness?
**
There was no movement among the Aukowies. When they were that small they played possum and tried to act as if they were nothing but weeds. Most people looking at them would think they were nothing but an odd little weed. But Jack Durkin knew differently. If he squinted right, he could make out their evil little faces in their offshoots, and he knew those little pincers were more than thorns. He’d watch them wait until there was a wind, then pretend they were swaying in it, all the while really trying to wiggle themselves further out of the ground. They were clever little suckers, Jack Durkin had to give them that. Once they got to two feet in height, they wouldn’t bother with their act. At that size they’d be whipping about as if they were caught in hurricane gales, not giving a damn about keeping up their masquerade. Jack Durkin never let one grow that high, but he’d heard stories from his pa about it. According to his pa it took hours to subdue several of them that had gotten to that height, having to first throw boulders on top of them to pin them down.
According to the book of Aukowies eight days would be all one needed to mature and break free from the ground. One mature Aukowie would wreak havoc, a field of them would ravage the world in a matter of weeks.
"You don't get much more gothic bang for your buck." Los Angeles Times
"This reworking of Frankenstein is chilling and captivating!...A tale of justice, true love, and ultimate forgiveness, this gruesome novel is perfect for fans of Stephen King and similar horror stories." ForeWord Magazine, Pick of the Week
Monster was selected by WBUR (NPR Boston) as one of the best books of 2012, and was recently picked by Booklist Magazine as one of the top 10 horror novels of the last 12 months. Monster is gothic horror. What if everything a dying Victor Frankenstein told Captain Walton aboard his ship were outrageous lies to protect his name? What if the true story had Frankenstein and the Marquis de Sade in league to create their own version of Hell? And now after 200 years the monster gets to tell the true and horrible story of Victor Frankenstein?
**
An animal instinct woke me. The sun had barely appeared in the horizon and a gray haziness filled the air. Moving stealthily towards me was a member of the clergy, and he carried a pitchfork as if his plans were to run me through. He was less than five feet from me, and as I was startled awake by his approach, he jumped backwards, his large craggy face waxen in the faint early morning light, his mouth opened to form a rigid circle.“You are lying on hallowed grounds, daemon!” he swore at me, his eyes wide as they reflected a mix of fear and self-righteousness. “Do not blasphemy this area any further with your presence. Begone!”
“And what makes you so certain that I am a daemon?” I asked.
“Your hideousness marks you as such!”
My hood had fallen off my head during my sleep exposing the full grotesqueness of my appearance. But I was not about to be chased away by this man.
“You do not know the goodness in my heart,” I said. “Now leave me so that I may grieve alone.”
He spotted the flowers then that I had placed by Johanna’s grave, and his eyes took on a wicked look as his chest swelled with piety and a false bravery.
“One can only wonder at the evil nature of the witch that has been buried in this grave to attract a daemonic creature such as yourself. She will need to be dug up from these sacred grounds and her body burned. Now begone!”
He moved forward as if to stick me with his pitchfork. I grabbed it from him with the same quickness that I had displayed during my battle with the wolves. I rose to my full height so that I towered above him and only then did I snap the pitchfork in half and toss the pieces to the ground. The priest stood in front of me trembling, fear striking him so greatly that he couldn’t speak or move.
"I've just read the manuscript of Dave Zeltserman's new novel, Blood Crimes. This is one of the few fresh takes on vampirism I've read in years. It's as if Charles Bukowski sat down and said, OK, Bram Stoker, how about this?" -- Ed Gorman, author of Cage of Night and The Poker Club.
"The prolific and wildly talented Dave Zeltserman serves up a fast,
furious, frightening and (yes)funny orgy of bloodletting. Makes
"Grindhouse" look like "Little House on the Prairie." -- Roger Smith, author of Dust Devils and Mixed Blood
Blood Crimes is a mix of horror, noir and dark urban fantasy. Jim and Carol carve a homicidal path cross-country. Jim is
infected with the vampire virus. Carol isn't. Yet. But they're united in
their hunt for society's most dangerous predators for Jim's dinner --
so he can feed without harming the innocent. What they don't know is
that they're not alone. There are others on their trail, and the climax
of BLOOD CRIMES is a shocking jolt of pure mayhem and rock 'n roll
violence.
**
Thursday, August 8, 2013
MONSTER makes Booklist's 2013 Best Horror Novels
I'm very happy to see Monster make Booklist's 2013 Top 10 Horror Fiction and be included in such fine company.
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